Four Movies That Redefined Bollywood Cinema
- Writers Guild
- Apr 13
- 3 min read

Bollywood has produced countless memorable films, but only a select few have truly revolutionized Indian cinema. Four such movies—Mughal-E-Azam (1960), Sholay (1975), Dilwale Dulhania Le Jayenge (1995), and Lagaan (2001)—not only pushed creative and cultural boundaries but also transformed Bollywood’s global appeal. Each of these films, from grand historical dramas to underdog sports tales, brought something groundbreaking to the table.
Mughal-E-Azam: A Cinematic Marvel

Released in 1960, Mughal-E-Azam set an unprecedented standard for Indian cinema. As Bollywood’s most expensive production at the time, this historical romance drama displayed grandeur through its lavish sets, elaborate battle sequences, and stunning costumes. Notably, it featured Technicolor scenes amidst its predominantly black-and-white visuals, making it a landmark in cinematography.
The film revolves around Emperor Akbar’s conflict with his son, Salim, over his love for a commoner, weaving a tale of love, rebellion, and duty. Directed by K. Asif, the film endured a turbulent production spanning years, symbolizing dedication and passion. Its six-year run at Maratha Mandir Cinema and record-breaking box office success cemented Mughal-E-Azam as Bollywood’s ultimate epic, inspiring generations of filmmakers.
Sholay: The Ultimate "Masala" Film

In 1975, Bollywood witnessed a genre shift with Sholay, a film that perfected the "masala" formula—a unique mix of action, comedy, romance, and drama. Unlike the grandeur of Mughal-E-Azam, Sholay delivered a Western-inspired action story following two small-time crooks, Veeru and Jai, hired to capture the ruthless bandit, Gabbar Singh.
Gabbar became one of the most iconic villains in Bollywood history, with dialogues that remain legendary. The film’s genre-blending approach captivated audiences, embedding the masala genre into Bollywood’s DNA. Sholay not only became a box office juggernaut but also redefined how Bollywood combined genres to create unforgettable cinematic experiences.
Dilwale Dulhania Le Jayenge: The Romantic Revolution

With Dilwale Dulhania Le Jayenge (DDLJ) in 1995, Bollywood saw a shift towards modern romance. Moving away from the epic dramas of Mughal-E-Azam and Sholay, DDLJ introduced a contemporary love story set in London, resonating with Indian diaspora audiences.
Shah Rukh Khan’s portrayal of Raj Malhotra, a charming and carefree lover, redefined Bollywood romance, while the film’s themes of tradition vs. modernity struck a chord with audiences worldwide. The film’s record-breaking 28-year theatrical run at Maratha Mandir proves its enduring legacy. DDLJ sparked a trend of Bollywood films set abroad, making it a turning point for Indian cinema’s global appeal.
Lagaan: The Underdog Triumph

In 2001, Lagaan took Bollywood onto the global stage with its ambitious period sports drama. Set during British colonial rule, the film tells the underdog story of Indian villagers who must win a cricket match against British officials to escape an unfair tax.
Directed by Ashutosh Gowariker and starring Aamir Khan, Lagaan masterfully fused Western sports film conventions with Indian historical themes, creating a universally relatable yet uniquely Indian story. It was also one of Bollywood’s first films to record live audio on set, marking a technical milestone.
Its Oscar nomination for Best Foreign Language Film made history, proving that Bollywood could compete on the global cinematic stage.
Conclusion
Together, these four films represent turning points in Bollywood. Mughal-E-Azam brought grandeur and production value that rivalled global cinema. Sholay introduced a unique blend of genres that captivated Indian audiences. Dilwale Dulhania Le Jayenge redefined romance and appealed to a global diaspora. and Lagaan combined Indian and Western elements to tell a distinctly Indian story with universal appeal. Each film pushed Bollywood forward, transforming it from a regional cinema industry into a cultural powerhouse that resonates around the world.
Written By Muhammed Ruhaan Chowdhry
Edited By Karishma S
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